Tom Gauld: “Characters for an Epic Tale”
Go forth and be epic.
Lucille: Well apparently, mood-altering medication leads to street drugs. That’s what this very handsome young doctor said on the Today Show.
Michael: That was Tom Cruise, the actor.
Lucille: They said he was some kind of scientist.
“Helen Fisher, a women’s cult figure and an anthropologist, has long argued that falling in love—and falling out of love—is part of our evolutionary biology and that humans are programmed not for lifelong monogamy, but for serial monogamy. (In stretches of four years, to be exact, approximately the time it takes to get one kid safely through infancy.)
Why Him? Why Her? explains the hormonal forces that trigger humans to be romantically attracted to some people and not to others (a phenomenon also documented in the animal world). Fisher posits that each of us gets dosed in the womb with different levels of hormones that impel us toward one of four basic personality types:
The Explorer—the libidinous, creative adventurer who acts “on the spur of the moment.” Operative neurochemical: dopamine.
The Builder—the much calmer person who has “traditional values.” The Builder also “would rather have loyal friends than interesting friends,” enjoys routines, and places a high priority on taking care of his or her possessions. Operative neurotransmitter: serotonin.
The Director—the “analytical and logical” thinker who enjoys a good argument. The Director wants to discover all the features of his or her new camera or computer. Operative hormone: testosterone.
The Negotiator—the touchy-feely communicator who imagines “both wonderful and horrible things happening” to him- or herself. Operative hormone: estrogen, then oxytocin.”
“Everything is more complicated than you think. You only see a tenth of what is true. There are a million little strings attached to every choice you make; you can destroy your life every time you choose. But maybe you won’t know for twenty years. And you’ll never ever trace it to its source. And you only get one chance to play it out. Just try and figure out your own divorce. And they say there is no fate, but there is: it’s what you create. Even though the world goes on for eons and eons, you are here for a fraction of a fraction of a second. Most of your time is spent being dead or not yet born. But while alive, you wait in vain, wasting years, for a phone call or a letter or a look from someone or something to make it all right. And it never comes or it seems to but doesn’t really. And so you spend your time in vague regret or vaguer hope for something good to come along. Something to make you feel connected, to make you feel whole, to make you feel loved. And the truth is I’m so angry and the truth is I’m so fucking sad, and the truth is I’ve been so fucking hurt for so fucking long and for just as long have been pretending I’m OK, just to get along, just for, I don’t know why, maybe because no one wants to hear about my misery, because they have their own, and their own is too overwhelming to allow them to listen to or care about mine. Well, fuck everybody. Amen.”
- synecdoche, new york. one of my favorite movies of all time.